Jesuit- Masonic Business Empire Controls The Art World!
Artists Must Submit To The Luciferian Culture Agenda For Success!
An important Jesuit maxim enshrined in their bloody 4th oath of induction:
"The end justifies the means."
What do the Jesuits mean by this? They mean in plain language, "Let us do evil that good may come." What THEY, consider to be good. Of course, their good, is EVIL! The Jesuits have permission to do whatever it takes to complete their orders including murder! This is actual validation of Romans 3:8 which states, "Why not say, as some slanderously claim that we say, “Let us do evil that good may result?” Their condemnation is deserved!"
The apostle Paul is refuting and CONDEMNING the false accusations that first century Luciferians were charging him with, long before the Jesuits existed. This strategy of INVERSION is key to the success of the Jesuit Vatican Roman Catholic Empire. So it is clear that this evil thinking has been around a LONG time and comes from antiquity, from Babel, the source of Luciferian religion.
Inversion of all things GOOD, is, in fact, what the Jesuits do. Behind a mask of religious piety and benevolence they INVERT everything performing acts of sedition, sophistry and violence in order to covertly increase their control over the world. They have been subverting governments and practicing social engineering on nations for 500 years.
The world of ART and CULTURE is a HUGE part of the Jesuit's activities aimed at SUBVERTING the thinking and morality of mankind.
Read the Jesuit murderous 4th oath in toto HERE
"The end justifies the means."
What do the Jesuits mean by this? They mean in plain language, "Let us do evil that good may come." What THEY, consider to be good. Of course, their good, is EVIL! The Jesuits have permission to do whatever it takes to complete their orders including murder! This is actual validation of Romans 3:8 which states, "Why not say, as some slanderously claim that we say, “Let us do evil that good may result?” Their condemnation is deserved!"
The apostle Paul is refuting and CONDEMNING the false accusations that first century Luciferians were charging him with, long before the Jesuits existed. This strategy of INVERSION is key to the success of the Jesuit Vatican Roman Catholic Empire. So it is clear that this evil thinking has been around a LONG time and comes from antiquity, from Babel, the source of Luciferian religion.
Inversion of all things GOOD, is, in fact, what the Jesuits do. Behind a mask of religious piety and benevolence they INVERT everything performing acts of sedition, sophistry and violence in order to covertly increase their control over the world. They have been subverting governments and practicing social engineering on nations for 500 years.
The world of ART and CULTURE is a HUGE part of the Jesuit's activities aimed at SUBVERTING the thinking and morality of mankind.
Read the Jesuit murderous 4th oath in toto HERE
Note:
In this article the terms Roman Catholic and Catholicism are used synonymously with Luciferian/satanic, pagan religion. Roman Catholicism contrary to claims has NOTHING to do with Biblical Christianity in any way. It is Babylonian pagan religion masquerading as Christianity. The Roman Catholic Cult is a Luciferian deception against humanity spanning 1700 years!
In this article the terms Roman Catholic and Catholicism are used synonymously with Luciferian/satanic, pagan religion. Roman Catholicism contrary to claims has NOTHING to do with Biblical Christianity in any way. It is Babylonian pagan religion masquerading as Christianity. The Roman Catholic Cult is a Luciferian deception against humanity spanning 1700 years!
David - Humanism In Stone Dear Reader
It has been some time since i wrote an art blog as i have been engaged writing in other areas. Once again having surveyed art world activities, i felt the urgent need to address the situation that art finds itself in at this late stage and the reason for it. We are witnessing the death throes of life affirming culture. I'm referring to the MAINSTREAM not the periphery where many artists labour without critical acclaim or recognition. What is RECOGNISED and received into the mainstream is art made to "fit" the aims of the Luciferian agenda for culture. This worldwide satanic enterprise dominates culture simply because it is acclaimed by "experts" and promoted as "legitimate" by that very same enterprise. Few argue against its legitimacy!
Anyone who denies this present system is strictly regulated and controlled is simply in denial and refusing to face the facts. There is NO serendipity in the art system re: manufacture, exhibition, sale, collection, promotion and resale. The art promoted and seen today, contrary to opposing arguments is chosen specifically because it is Luciferian in nature and embodies its mandates aesthetically and conceptually. It must VALIDATE the program!
Humanism (the deification of man) has been the instrument by which Luciferians have polluted culture and inverted it from being God centred to Satan centred. Although "humanist" ideals re-entered Europe through the reintroduction of the Greek classics of Homer, Socrates, Plato and Aristotle etc. in the 14th century Renaissance, (rebirth of Greek ideals) core concepts had already been incorporated into corrupt and blasphemous Roman Catholic doctrine through Augustine's writings as early as the 4th and 5th centuries AD. A second wave of Enlightenment "humanist" philosophy began to infiltrate the Protestant Reformation in Europe in the 17th century. That was the diabolical purpose behind it; to subvert purity, beauty, order and truth in Christian culture and insert humanist philosophical ideals.
Humanism was and is promoted by the Jesuits to obfuscate and corrupt Biblical truths. Naturally, left to run its course we now see the end result centuries later in every area of human endeavour, especially in the arts where it serves as propaganda for that agenda. Art has been steadily emptied of godly virtues and run into the ground through the application of Luciferian "isms" and made it BANAL and VACUOUS!
To add insult to injury the artists who create Luciferian art are rewarded with promotion to the "Canon" and after death are made into "Legends," "Stars," rather Art Stars in the same way the Jesuits create Music Stars, Movie Stars and TV Stars.
Why? Idols for people to revere and worship. Yes, men and women promoted to the pantheon of Legends, CULTURE "gods." This how the Jesuits deceive mankind into IDOLATRY at every turn and away from the one true God, Jesus Christ!
It has been some time since i wrote an art blog as i have been engaged writing in other areas. Once again having surveyed art world activities, i felt the urgent need to address the situation that art finds itself in at this late stage and the reason for it. We are witnessing the death throes of life affirming culture. I'm referring to the MAINSTREAM not the periphery where many artists labour without critical acclaim or recognition. What is RECOGNISED and received into the mainstream is art made to "fit" the aims of the Luciferian agenda for culture. This worldwide satanic enterprise dominates culture simply because it is acclaimed by "experts" and promoted as "legitimate" by that very same enterprise. Few argue against its legitimacy!
Anyone who denies this present system is strictly regulated and controlled is simply in denial and refusing to face the facts. There is NO serendipity in the art system re: manufacture, exhibition, sale, collection, promotion and resale. The art promoted and seen today, contrary to opposing arguments is chosen specifically because it is Luciferian in nature and embodies its mandates aesthetically and conceptually. It must VALIDATE the program!
Humanism (the deification of man) has been the instrument by which Luciferians have polluted culture and inverted it from being God centred to Satan centred. Although "humanist" ideals re-entered Europe through the reintroduction of the Greek classics of Homer, Socrates, Plato and Aristotle etc. in the 14th century Renaissance, (rebirth of Greek ideals) core concepts had already been incorporated into corrupt and blasphemous Roman Catholic doctrine through Augustine's writings as early as the 4th and 5th centuries AD. A second wave of Enlightenment "humanist" philosophy began to infiltrate the Protestant Reformation in Europe in the 17th century. That was the diabolical purpose behind it; to subvert purity, beauty, order and truth in Christian culture and insert humanist philosophical ideals.
Humanism was and is promoted by the Jesuits to obfuscate and corrupt Biblical truths. Naturally, left to run its course we now see the end result centuries later in every area of human endeavour, especially in the arts where it serves as propaganda for that agenda. Art has been steadily emptied of godly virtues and run into the ground through the application of Luciferian "isms" and made it BANAL and VACUOUS!
To add insult to injury the artists who create Luciferian art are rewarded with promotion to the "Canon" and after death are made into "Legends," "Stars," rather Art Stars in the same way the Jesuits create Music Stars, Movie Stars and TV Stars.
Why? Idols for people to revere and worship. Yes, men and women promoted to the pantheon of Legends, CULTURE "gods." This how the Jesuits deceive mankind into IDOLATRY at every turn and away from the one true God, Jesus Christ!
Jesuit Massacre Of The Huguenots How Did These Things Happen?
A cursory examination of European history reveals a number of things happening synonymously in the social, political, cultural and spiritual arenas. They cannot be separated but occur together and are inextricably linked. NOTHING happens in a vacuum in this world but as a result of CAUSE and EFFECT! Failure to understand this will result in a misreading of world history leading up to our current dire situation. The big problem today is POSTMODERNISM which has trained people to believe in history as being "unknowable" and relative to todays events. This is a DANGEROUS situation and plays right into the hands of the Jesuits who don't want people to know what occurred in the past and WHY it occurred. To KNOW is to understand their all encompassing agenda for world dominance.
Briefly, France was de-Christianised and made Roman Catholic by 1800 starting with the massacre of the Albigenses (Cathars) between 1209 - 1229 AD, the rolling Papal Inquisitions resulting in the Waldensian massacres in the 1500's, the Huguenots in the St Bartholemew's Day Massacre in 1572 and the final destruction of hundreds of thousands of protestant soldiers by Napoleon (Jesuit agent) when the traitor abandoned them to die in the Russian snows of the winter of 1812. Hundreds of thousands of Bible believing Protestant Christians were murdered by Rome under the pretext of "war" in order to exterminate Biblical influence and restore Papal dominion over Europe.
Roman Catholic France was CHOSEN by the Jesuits as the vehicle by which to introduce Modernist Humanist Art into the world. I believe Courbet's "realism" is the beginning of the long spiral downward and in particular his "Origin Of The World" in 1866, which was shocking at the time because it is pure "Humanist" pornography posing as art. Scandalous it may have been but there is no doubt he was rewarded in secret by those controlling the system. France in the 1800's was DECADENT with prostitution, drunkenness, carousing and criminality commonplace. This is easily seen in many paintings and photographs taken during this time. Pornography, although also existent in other cultures really takes off during this time and France (Paris at the centre) is a hotbed of filth, which then spreads out like ripples on a pond. This is why it became the centre of attraction for artists worldwide - Luciferian bohemian debauchery.
What about Germany, Holland and England? These were still strongholds of Protestant morality at the time and somewhat resistant to the cultural degradation by the Luciferians. That's why the Jesuits used France as a CONDUIT for their FIFTH COLUMN infiltration of culture in order to obtain worldwide hegemony over the CONTENT and COMMERCE of ART. It is NO accident! Careful study will reveal what has occurred over the last 200 years. Most major artistic figures in art were Catholic and lived in or visited France between 1850 and 1945 when the Jesuits MOVED the centre of their international culture PROGRAM/OPERATION to New York in their American kingdom. These major artists were either initiators of, or participants in, what we now call modern art movements, such as Impressionism, Expressionism, Cubism, Surrealism and Dada incorporating both abstract and figurative modes of expression.
Picasso, Matisse, Gauguin and a long, non comprehensive list of professing and apostate Roman Catholic artists can be viewed HERE.
I have NEVER, ever, seen this Luciferian Jesuit/Roman Catholic influence in the production of 20th century art, discussed in any art history that i've read!
Is it important? More than important, it is CRITICAL to understanding modern developments in ART and why and how they occurred. Pagan Roman Catholic ideology has been the silent driving force behind MODERN ART!
Slide gallery examples of Luciferian art past & present.
A cursory examination of European history reveals a number of things happening synonymously in the social, political, cultural and spiritual arenas. They cannot be separated but occur together and are inextricably linked. NOTHING happens in a vacuum in this world but as a result of CAUSE and EFFECT! Failure to understand this will result in a misreading of world history leading up to our current dire situation. The big problem today is POSTMODERNISM which has trained people to believe in history as being "unknowable" and relative to todays events. This is a DANGEROUS situation and plays right into the hands of the Jesuits who don't want people to know what occurred in the past and WHY it occurred. To KNOW is to understand their all encompassing agenda for world dominance.
Briefly, France was de-Christianised and made Roman Catholic by 1800 starting with the massacre of the Albigenses (Cathars) between 1209 - 1229 AD, the rolling Papal Inquisitions resulting in the Waldensian massacres in the 1500's, the Huguenots in the St Bartholemew's Day Massacre in 1572 and the final destruction of hundreds of thousands of protestant soldiers by Napoleon (Jesuit agent) when the traitor abandoned them to die in the Russian snows of the winter of 1812. Hundreds of thousands of Bible believing Protestant Christians were murdered by Rome under the pretext of "war" in order to exterminate Biblical influence and restore Papal dominion over Europe.
Roman Catholic France was CHOSEN by the Jesuits as the vehicle by which to introduce Modernist Humanist Art into the world. I believe Courbet's "realism" is the beginning of the long spiral downward and in particular his "Origin Of The World" in 1866, which was shocking at the time because it is pure "Humanist" pornography posing as art. Scandalous it may have been but there is no doubt he was rewarded in secret by those controlling the system. France in the 1800's was DECADENT with prostitution, drunkenness, carousing and criminality commonplace. This is easily seen in many paintings and photographs taken during this time. Pornography, although also existent in other cultures really takes off during this time and France (Paris at the centre) is a hotbed of filth, which then spreads out like ripples on a pond. This is why it became the centre of attraction for artists worldwide - Luciferian bohemian debauchery.
What about Germany, Holland and England? These were still strongholds of Protestant morality at the time and somewhat resistant to the cultural degradation by the Luciferians. That's why the Jesuits used France as a CONDUIT for their FIFTH COLUMN infiltration of culture in order to obtain worldwide hegemony over the CONTENT and COMMERCE of ART. It is NO accident! Careful study will reveal what has occurred over the last 200 years. Most major artistic figures in art were Catholic and lived in or visited France between 1850 and 1945 when the Jesuits MOVED the centre of their international culture PROGRAM/OPERATION to New York in their American kingdom. These major artists were either initiators of, or participants in, what we now call modern art movements, such as Impressionism, Expressionism, Cubism, Surrealism and Dada incorporating both abstract and figurative modes of expression.
Picasso, Matisse, Gauguin and a long, non comprehensive list of professing and apostate Roman Catholic artists can be viewed HERE.
I have NEVER, ever, seen this Luciferian Jesuit/Roman Catholic influence in the production of 20th century art, discussed in any art history that i've read!
Is it important? More than important, it is CRITICAL to understanding modern developments in ART and why and how they occurred. Pagan Roman Catholic ideology has been the silent driving force behind MODERN ART!
Slide gallery examples of Luciferian art past & present.
Positive, Colourful, Orderly and Life Affirming Art Recognising Luciferian Traits In Cultural Production
So what is the difference between godly/beneficent and Luciferian art you may ask? Isn't art neutral - just art? No way! There are principles that determine the visual nature of each and serve to distinguish them from each other. This is obviously more evident in FIGURATIVE than ABSTRACT art but some principle apply!
Godly art is imbued with the following qualities and can be recognised and felt intuitively by the viewer: order, beauty, harmony, profundity, purity, life affirming and truthful from the standpoint of conceptual truth to subject conveyed through the combined dynamic of the elements in the picture/object. Although art is open to personal interpretation, godly art doesn't set out purposely to deceive but instead guides the viewer to a deeper aesthetic experience rooted in "light" not "darkness." The godly/beneficent artist's intentions and motivation are honesty and goodness and the glorification of godly principles if not God himself. The principles of God's creation (nature) are respected and used to create art that reflects God's creative nature.
Symbolism is employed to point the viewer to godly principles and the illumination of those principles as viewed in nature and the working of the pictorial elements. Godly order places the responsibility on the artist to craft works that act as vehicles of contemplation and transformation. These objects are LIFE AFFIRMING and reflect the positive attributes of life. Tragedy and death are handled with sensitivity, again serving to affirm LIFE not its denigration, offering hope for life beyond death and bolstering faith in God and his goodness. Biblical concepts are adhered to and praised in godly art resulting in an art that radiates positivity, hope, joy and transcendence! The artist understands his responsibility toward the viewer as a creator under God, the chief creator! The creative act is not seen as selfish but is embraced as an opportunity to "share" with and "enhance" the lives of others.
Does godly/beneficent art need to be just about seemingly innocuous subjects like flowers, animals and people? Of course not. Good/godly artists will take a myriad of themes and subject them to intense inquiry in the hope of opening up a new way, a personal way of "Looking" at that subject. The finished art will contain a high degree of skill, beauty and idiosyncratic "vision." It will not be a cheap grab for recognition using clever tricks but be edifying, uplifting, even educational to all!
Luciferian art on the other hand operates from the premise that man is "god" and the fulfilment of his desires, however selfish, are the be all and end all in life. Jesuit motto once again: "The end justifies the means." The Luciferian minded artist doesn't consider any responsibility toward the viewer because art is seen as some "magical" entity that must be conjoined with like a medium channeling spirits. Art becomes more than a creative activity, it is an act (sorcery) used to bring forth a personal message from a muse (evil spirit) that inspires the artist to original creations of genius to garner personal acclaim. The Luciferian artist acts like a god creating from the imagination, images that are allowed to run riot. It is not a surprise to find that many artists indulge in the occult and drugs, becoming conduits for dark themes as a result of it.
Horror, anarchy, dissonance, disorder, repugnance, sexual debauchery, shock, darkness and death are applauded as unique and desirable. Artistic order and tradition are attacked as being constricting to personal freedom and purity is trampled in the obsession for originality and shock value. Anything goes! Social commentary, political ideology, pornography, advertising, graffiti, pop culture and the use of trash materials to invoke a dirty "grunge" aesthetic are all funnelled into the art.
Disfiguration, deconstruction, inversion, appropriation and repetition (seriality) are regularly used to emphasise Luciferian concepts of fatalism, existential angst, impurity, mockery and the glorification of suffering and death. Luciferian art shamelessly promotes a self indulgent, negligent attitude to the most important issues in life confirming instead negativity, decadence, profligacy and "me" as being the central goals to aspire to. The art is about glorifying the "I" to the exclusion of all else. This kind of art denigrates the sanctity of life and tramples purity underfoot sneering at order and beauty! Satan is a destroyer!
Could some Luciferian art be misconstrued as otherwise? Yes, i believe so in some cases, particularly with abstract art where colour and pattern become the driving elements in picture making. This simply means that abstract art needs to be created more carefully, thoughtfully because of these qualities. The Luciferian artist making abstract art often tends to darker colours and patterns of a sinister nature but not always. Abstract art can be an ambiguous MIDDLE ground where more care and skill need to be employed to achieve a positive and life affirming representation.
Some problems i see are with the element of "mystery" which can be employed toward good or bad in an art piece. Elements like bright colour can also be used to disguise malicious intent in art as it distracts the viewer from the true "content" in the work cloaking it with a sense of "lightness," "fun" or "innocence." This is often done to "lure" children, in many forms of art.
Some examples of very famous, wealthy Luciferian artists working over the last 50 years are Andy Warhol, Jeff Koons, Takashi Murakami, Cindy Sherman and Damian Hirst. These all use occult symbols, hedonism and sexual innuendo covertly in their art often masked by bright colour. To the unversed there is nothing to see. To those who read and understand images, it's all in there. This art serves 2 purposes. It is bought and traded by wealthy Luciferians for pleasure and business and it PROPAGANDISES the public with satanic themes, "in plain sight."
Once a piece of art is IN the Canon, it will be thrust under the noses and in sight of all, over and over in TV advertising, movies, magazines and text books until after decades of exposure it is NOT questioned!
So what is the difference between godly/beneficent and Luciferian art you may ask? Isn't art neutral - just art? No way! There are principles that determine the visual nature of each and serve to distinguish them from each other. This is obviously more evident in FIGURATIVE than ABSTRACT art but some principle apply!
Godly art is imbued with the following qualities and can be recognised and felt intuitively by the viewer: order, beauty, harmony, profundity, purity, life affirming and truthful from the standpoint of conceptual truth to subject conveyed through the combined dynamic of the elements in the picture/object. Although art is open to personal interpretation, godly art doesn't set out purposely to deceive but instead guides the viewer to a deeper aesthetic experience rooted in "light" not "darkness." The godly/beneficent artist's intentions and motivation are honesty and goodness and the glorification of godly principles if not God himself. The principles of God's creation (nature) are respected and used to create art that reflects God's creative nature.
Symbolism is employed to point the viewer to godly principles and the illumination of those principles as viewed in nature and the working of the pictorial elements. Godly order places the responsibility on the artist to craft works that act as vehicles of contemplation and transformation. These objects are LIFE AFFIRMING and reflect the positive attributes of life. Tragedy and death are handled with sensitivity, again serving to affirm LIFE not its denigration, offering hope for life beyond death and bolstering faith in God and his goodness. Biblical concepts are adhered to and praised in godly art resulting in an art that radiates positivity, hope, joy and transcendence! The artist understands his responsibility toward the viewer as a creator under God, the chief creator! The creative act is not seen as selfish but is embraced as an opportunity to "share" with and "enhance" the lives of others.
Does godly/beneficent art need to be just about seemingly innocuous subjects like flowers, animals and people? Of course not. Good/godly artists will take a myriad of themes and subject them to intense inquiry in the hope of opening up a new way, a personal way of "Looking" at that subject. The finished art will contain a high degree of skill, beauty and idiosyncratic "vision." It will not be a cheap grab for recognition using clever tricks but be edifying, uplifting, even educational to all!
Luciferian art on the other hand operates from the premise that man is "god" and the fulfilment of his desires, however selfish, are the be all and end all in life. Jesuit motto once again: "The end justifies the means." The Luciferian minded artist doesn't consider any responsibility toward the viewer because art is seen as some "magical" entity that must be conjoined with like a medium channeling spirits. Art becomes more than a creative activity, it is an act (sorcery) used to bring forth a personal message from a muse (evil spirit) that inspires the artist to original creations of genius to garner personal acclaim. The Luciferian artist acts like a god creating from the imagination, images that are allowed to run riot. It is not a surprise to find that many artists indulge in the occult and drugs, becoming conduits for dark themes as a result of it.
Horror, anarchy, dissonance, disorder, repugnance, sexual debauchery, shock, darkness and death are applauded as unique and desirable. Artistic order and tradition are attacked as being constricting to personal freedom and purity is trampled in the obsession for originality and shock value. Anything goes! Social commentary, political ideology, pornography, advertising, graffiti, pop culture and the use of trash materials to invoke a dirty "grunge" aesthetic are all funnelled into the art.
Disfiguration, deconstruction, inversion, appropriation and repetition (seriality) are regularly used to emphasise Luciferian concepts of fatalism, existential angst, impurity, mockery and the glorification of suffering and death. Luciferian art shamelessly promotes a self indulgent, negligent attitude to the most important issues in life confirming instead negativity, decadence, profligacy and "me" as being the central goals to aspire to. The art is about glorifying the "I" to the exclusion of all else. This kind of art denigrates the sanctity of life and tramples purity underfoot sneering at order and beauty! Satan is a destroyer!
Could some Luciferian art be misconstrued as otherwise? Yes, i believe so in some cases, particularly with abstract art where colour and pattern become the driving elements in picture making. This simply means that abstract art needs to be created more carefully, thoughtfully because of these qualities. The Luciferian artist making abstract art often tends to darker colours and patterns of a sinister nature but not always. Abstract art can be an ambiguous MIDDLE ground where more care and skill need to be employed to achieve a positive and life affirming representation.
Some problems i see are with the element of "mystery" which can be employed toward good or bad in an art piece. Elements like bright colour can also be used to disguise malicious intent in art as it distracts the viewer from the true "content" in the work cloaking it with a sense of "lightness," "fun" or "innocence." This is often done to "lure" children, in many forms of art.
Some examples of very famous, wealthy Luciferian artists working over the last 50 years are Andy Warhol, Jeff Koons, Takashi Murakami, Cindy Sherman and Damian Hirst. These all use occult symbols, hedonism and sexual innuendo covertly in their art often masked by bright colour. To the unversed there is nothing to see. To those who read and understand images, it's all in there. This art serves 2 purposes. It is bought and traded by wealthy Luciferians for pleasure and business and it PROPAGANDISES the public with satanic themes, "in plain sight."
Once a piece of art is IN the Canon, it will be thrust under the noses and in sight of all, over and over in TV advertising, movies, magazines and text books until after decades of exposure it is NOT questioned!
Icarus - Matisse 1947 Art Making Is A Spiritual Activity
Every culture worldwide that makes art will reveal their spiritual beliefs in the way they construct art. All indigenous cultures have some form of art creation and usually for the purpose of worship or superstitious appeasement of spirits or gods. This doesn't need to be proved as it is evident to anyone who takes the time to investigate these cultures. In the same manner, art creation within the Western system is spiritual even when it seems to be about everything else.
Creation is a spiritual act regardless of the artist's intentions/motivations. To "make" is to employ logic and imagination in order to bring an object into the world that had not previously existed. This is what God did when he spoke the Creation into existence. The artist can either use his creative skills to glorify God and goodness or glorify Satan and the "dark" side; there is a tenuous "middle" ground. If you're not doing it for one then you ARE probably doing it for the other by default. The artwork will REFLECT what the artist believes personally. It is a choice the artist makes but the art will definitely reflect what the artist believes one way or the other.
Can a satanist paint seemingly harmless and colourful flower paintings? Yes, indeed and sometimes they become famous for it but it is the rare exception to the rule that i have observed in the MAINSTREAM art world! Maybe Andy Warhol, Alex Katz and Gerhard Richter are the only 3 well known artists that have used flowers repeatedly as a subject for exploration over the last 50 years but possibly, only Katz and Richter have BECOME well known because of it. Just 2 artists!
Henry Matisse, a lapsed Catholic created paper cut outs in his last days, one of which represented Icarus falling, taken from a Greek myth. Matisse was a Luciferian and enjoyed considerable success most of his life for his willing participation in and promotion of the Jesuit-Masonic humanist agenda in degrading art and culture! Even in his last days he was promoting a false spiritual reality in his art. Claims that Matisse became a Christian at the end of his life because he designed stained glass windows for the Rose Chapel at Vence in France are blind to WHAT his art symbolises! Look carefully and you'll see many occult references disguised as supposedly Christian motifs.
In my opinion and derived from statements made by Matisse, he was a pagan Luciferian to the end!
Every culture worldwide that makes art will reveal their spiritual beliefs in the way they construct art. All indigenous cultures have some form of art creation and usually for the purpose of worship or superstitious appeasement of spirits or gods. This doesn't need to be proved as it is evident to anyone who takes the time to investigate these cultures. In the same manner, art creation within the Western system is spiritual even when it seems to be about everything else.
Creation is a spiritual act regardless of the artist's intentions/motivations. To "make" is to employ logic and imagination in order to bring an object into the world that had not previously existed. This is what God did when he spoke the Creation into existence. The artist can either use his creative skills to glorify God and goodness or glorify Satan and the "dark" side; there is a tenuous "middle" ground. If you're not doing it for one then you ARE probably doing it for the other by default. The artwork will REFLECT what the artist believes personally. It is a choice the artist makes but the art will definitely reflect what the artist believes one way or the other.
Can a satanist paint seemingly harmless and colourful flower paintings? Yes, indeed and sometimes they become famous for it but it is the rare exception to the rule that i have observed in the MAINSTREAM art world! Maybe Andy Warhol, Alex Katz and Gerhard Richter are the only 3 well known artists that have used flowers repeatedly as a subject for exploration over the last 50 years but possibly, only Katz and Richter have BECOME well known because of it. Just 2 artists!
Henry Matisse, a lapsed Catholic created paper cut outs in his last days, one of which represented Icarus falling, taken from a Greek myth. Matisse was a Luciferian and enjoyed considerable success most of his life for his willing participation in and promotion of the Jesuit-Masonic humanist agenda in degrading art and culture! Even in his last days he was promoting a false spiritual reality in his art. Claims that Matisse became a Christian at the end of his life because he designed stained glass windows for the Rose Chapel at Vence in France are blind to WHAT his art symbolises! Look carefully and you'll see many occult references disguised as supposedly Christian motifs.
In my opinion and derived from statements made by Matisse, he was a pagan Luciferian to the end!
Francis Borgia - 3rd Jesuit Superior General The Cult Of Death
The Jesuits of Rome are the "cult of death" at work in the world today. They promote every sick and perverse act in order to corrupt civilisation. They twist every good and pure thing while hiding behind MASKS of religious piety pretending to be good. Despite the 1000 or more books written over the last 200 years warning about the Jesuits they have managed to avoid hard core scrutiny! People have been fooled for a long time and they have gotten away with crimes too diabolical to describe but some are waking up to what's been going on.
The Jesuits promote death and the denigration of everything that is good, in art even though they claim to be champions of beautiful art. This is the Luciferian mode of deception. Showing one thing but secretly doing the opposite. Today we can see people walking around sporting skulls proudly on every fashion item available. The skull is an occult symbol but most people are totally unaware!
The culture of death promotes sick and deviant behaviour, which is then rewarded with leniency by corrupt Masonic judges. In advertising and product manufacture we see the trademark symbols of the death cult emblazoned everywhere. Human behaviour is getting more and more perverted and violent almost as a growing reaction to the surrounding stimuli coming through culture and education.
Skulls, skeletons, monsters, witches, wizards, spirits, gratuitous acts of violence, cruelty and torture can be viewed in any movie, book or magazine. Yes, normalising skulls and death de-sensitises the mind to what these actually represent. They are symbols for SATAN, the AUTHOR of REBELLION, DEATH and DESTRUCTION. This is illustrated in the picture above of the statue of Francis Borgia, holding a skull with a crown. Somewhat reminiscent of of a scene in Hamlet this is evidence "in plain sight" that the Jesuits glorify death and the author of death; Lucifer!
The Jesuits REPRESENT and GLORIFY SATAN. This is what the Jesuits want al people to do. People don't realise that DEATH came to mankind because of Satan's lies and deception. Many are now blindly glorifying DEATH and thus the AUTHOR of DEATH. If you think death is COOL, then you have no idea how de-sensitised to truth you have become. In MEXICO and other Catholic societies they celebrate DEATH not realising what they are doing. They are BLIND because of Catholic false teaching that teaches praying to the dead and the ritual killing and eating of Christ in every mass. Art is playing a big part in this BRAIN WASHING of gullible and ignorant HUMANITY!
Ask anyone if they would like to die, NOW and you'll get a look of FEAR and HORROR.
DEATH IS NOT COOL so WHY GLORIFY IT LIKE IT'S NOTHING AND THAT IT DOESN'T MATTER! No one wants to die, yet people celebrate DEATH as Cool. Does that even make sense? Logic says NO! Celebrate LIFE instead!
When a person DIES, that's it, game over, THEY DON'T AND CAN'T COME BACK!
The whole world is slowly being INITIATED into the CULTURE OF DEATH!
Watch the video and listen to the Jesuits praise their contribution to art and culture to the exclusion of a significant Christian heritage of contribution to the arts. The Jesuits will NEVER admit their involvement in orchestrating the commercial art world and its effects on humanity.
The Jesuits of Rome are the "cult of death" at work in the world today. They promote every sick and perverse act in order to corrupt civilisation. They twist every good and pure thing while hiding behind MASKS of religious piety pretending to be good. Despite the 1000 or more books written over the last 200 years warning about the Jesuits they have managed to avoid hard core scrutiny! People have been fooled for a long time and they have gotten away with crimes too diabolical to describe but some are waking up to what's been going on.
The Jesuits promote death and the denigration of everything that is good, in art even though they claim to be champions of beautiful art. This is the Luciferian mode of deception. Showing one thing but secretly doing the opposite. Today we can see people walking around sporting skulls proudly on every fashion item available. The skull is an occult symbol but most people are totally unaware!
The culture of death promotes sick and deviant behaviour, which is then rewarded with leniency by corrupt Masonic judges. In advertising and product manufacture we see the trademark symbols of the death cult emblazoned everywhere. Human behaviour is getting more and more perverted and violent almost as a growing reaction to the surrounding stimuli coming through culture and education.
Skulls, skeletons, monsters, witches, wizards, spirits, gratuitous acts of violence, cruelty and torture can be viewed in any movie, book or magazine. Yes, normalising skulls and death de-sensitises the mind to what these actually represent. They are symbols for SATAN, the AUTHOR of REBELLION, DEATH and DESTRUCTION. This is illustrated in the picture above of the statue of Francis Borgia, holding a skull with a crown. Somewhat reminiscent of of a scene in Hamlet this is evidence "in plain sight" that the Jesuits glorify death and the author of death; Lucifer!
The Jesuits REPRESENT and GLORIFY SATAN. This is what the Jesuits want al people to do. People don't realise that DEATH came to mankind because of Satan's lies and deception. Many are now blindly glorifying DEATH and thus the AUTHOR of DEATH. If you think death is COOL, then you have no idea how de-sensitised to truth you have become. In MEXICO and other Catholic societies they celebrate DEATH not realising what they are doing. They are BLIND because of Catholic false teaching that teaches praying to the dead and the ritual killing and eating of Christ in every mass. Art is playing a big part in this BRAIN WASHING of gullible and ignorant HUMANITY!
Ask anyone if they would like to die, NOW and you'll get a look of FEAR and HORROR.
DEATH IS NOT COOL so WHY GLORIFY IT LIKE IT'S NOTHING AND THAT IT DOESN'T MATTER! No one wants to die, yet people celebrate DEATH as Cool. Does that even make sense? Logic says NO! Celebrate LIFE instead!
When a person DIES, that's it, game over, THEY DON'T AND CAN'T COME BACK!
The whole world is slowly being INITIATED into the CULTURE OF DEATH!
Watch the video and listen to the Jesuits praise their contribution to art and culture to the exclusion of a significant Christian heritage of contribution to the arts. The Jesuits will NEVER admit their involvement in orchestrating the commercial art world and its effects on humanity.
Art & Culture As A Weapon The Jesuits Have Used Art To Seduce Humanity
The Jesuits weren't created as just another order of priests tasked with ministerial service as the society and the Vatican insist and continuously state publicly. This is a LIE! Yes, the Jesuits LIE, all the time, under a false guise of piety, deceiving many. The Jesuits are a military priestly order tasked with returning FULL TEMPORAL and SPIRITUAL power over the Earth to the Pope of ROME. From their inception in 1540 they immediately travelled to the ends of the Earth to INFILTRATE and SUBJUGATE the peoples of the Earth for Rome. They were in China, Japan and Thailand before 1580.They were in Sth America, Mexico and Nth America as early as 1549. They were also in Russia as early as 1560 not for the purpose of ecclesiastical mission but the subversion of Orthodox Catholicism and overthrow of the established political order.
Everywhere they went they attempted to convert the natives to pagan Catholicism and then through education "radicalise" them with Luciferian concepts of "natural law" and "social justice," both doctrines having been refined over time by Jesuit scholars. These fascist doctrines are now "ENSHRINED" in the UN AGENDA 21 charter and are being implemented worldwide into every nation, thrust upon an unsuspecting populace.
The Jesuits used their knowledge of astronomy, cartography and science to impress the natives and rulers of foreign lands in order to compete with the court officials and gain favour with kings and princes. The Jesuit persistence is legendary and even after being thrown out of 83 countries and states for intrigue and subversion they would make their way back again in time and begin the process all over again. Their aim was and is now the same; to direct the policies of kings and sovereigns in order to establish their own agenda. They would do this until they could foment a revolution and overthrow their hosts and install a dictator compliant with Rome thus gaining complete control of the land and enslavement of the people. There is only 1 goal that the Jesuits have been working for and that is world control for the ROMAN CATHOLIC CULT and they won't stop until they obtain it.
Read more about the Jesuit infiltration of the nations at:
http://www.darknessisfalling.com/darknessisfallingblogblog/jesuit-infiltration-and-subversion-of-all-the-nations
The arts are powerful and are manipulated by the Jesuit controlled Masonic arts business system to suit the times and perpetuate the ongoing Luciferian immersion of societies. Visual art, music, theatre, dance and film are all moulded to the satanic agenda spewing out concepts and ideals that corrupt the hearts and minds of viewers and participants. The Jesuits were quick to capitalise in the early 1600's on the Baroque aesthetic in theatre, music, art and fashion to seduce Europe with the pursuits of pleasure and hedonistic lifestyles. Jesuit theatre productions were renowned for their extravagance and drew social elites which the Jesuits then endeared themselves to with flattery in order to gain adulation with the aim of infiltrating wealthy, influential families. They still control the theatre productions today whether it's in London's West End or Broadway in New York.
The Jesuits realised very early that education and culture were the best modes for seducing society with the temptations of worldly pleasures and ideological programming. The Jesuits set up a centre (College Louis Le Grand) for the ballet in Paris by 1650 and in 1722 promoted a production of Vivaldi's oratorio," Adoration of the Magi" in the Cathedral in Milan. The Jesuits are masters at adopting "New Cultural Modes" in order to move with the times seducing society with "Entertainment" and so took control of education and culture everywhere they went, blending the 2 together. Thomas Lucas SJ states, "This tradition – 150,000 plays performed across the world over the first two centuries of Jesuit education, and countless more since the nineteenth-century restoration of the order after its suppression – was about more than entertainment, fun, and games. Theater, dance, and visual spectacle were not considered as ends in themselves but were seen as useful educational tools that formed morally astute citizens and socially competent persons who could comport themselves in public in a convincing way."(The Spiritual Exercises and Art, 2015)
Contrary to the Jesuits claim, they in fact have been and are directly responsible for using "PERFORMANCE" and "ENTERTAINMENT" to "MOULD" the public mind for 5 centuries. There is little doubt in my mind the Jesuits were also behind the "Shakespeare" phenomenon, which has had an enormous impact on social thinking although there are conflicting opinions about it!
Today, we are watching the end result of 500 years of ever increasing levels of exposure by people to Luciferian Jesuit art productions on TV, in theatres, cinemas, art galleries and on the Internet. The last 50 years has seen an avalanche of pop music, films, TV programmes, blockbuster art festivals and exhibitions and staged musical productions. People are being SATURATED by the Masonic popular entertainment machine. Access to these productions is EASY and often on a 24/7 basis. Totally unaware that they are being conditioned by Luciferian concepts and morality, endless hours are wasted by people watching and absorbing these production line fictions.
The Jesuit culture machine has done such an extraordinary job of addicting the masses and killing human thinking that people no longer recognise "right" from "wrong." It's all relative to them and how they "feel," in the moment! TV in particular has been a powerful weapon to brain wash and bend the public mind to the Jesuit controlled political and media apparatus in all advanced countries and now most underdeveloped countries as well.
Richard Nixon stated and very presciently so in the 70's that, "The American people don't believe anything until they see it on TV."
This statement now applies everywhere, not just the USA, as TV culture has saturated most social groups worldwide with Luciferian concepts and morals. We can see the end result in the rebellious behaviour, violence and sexual immorality people everywhere are advocating and practicing at ever alarming levels.
The Jesuits weren't created as just another order of priests tasked with ministerial service as the society and the Vatican insist and continuously state publicly. This is a LIE! Yes, the Jesuits LIE, all the time, under a false guise of piety, deceiving many. The Jesuits are a military priestly order tasked with returning FULL TEMPORAL and SPIRITUAL power over the Earth to the Pope of ROME. From their inception in 1540 they immediately travelled to the ends of the Earth to INFILTRATE and SUBJUGATE the peoples of the Earth for Rome. They were in China, Japan and Thailand before 1580.They were in Sth America, Mexico and Nth America as early as 1549. They were also in Russia as early as 1560 not for the purpose of ecclesiastical mission but the subversion of Orthodox Catholicism and overthrow of the established political order.
Everywhere they went they attempted to convert the natives to pagan Catholicism and then through education "radicalise" them with Luciferian concepts of "natural law" and "social justice," both doctrines having been refined over time by Jesuit scholars. These fascist doctrines are now "ENSHRINED" in the UN AGENDA 21 charter and are being implemented worldwide into every nation, thrust upon an unsuspecting populace.
The Jesuits used their knowledge of astronomy, cartography and science to impress the natives and rulers of foreign lands in order to compete with the court officials and gain favour with kings and princes. The Jesuit persistence is legendary and even after being thrown out of 83 countries and states for intrigue and subversion they would make their way back again in time and begin the process all over again. Their aim was and is now the same; to direct the policies of kings and sovereigns in order to establish their own agenda. They would do this until they could foment a revolution and overthrow their hosts and install a dictator compliant with Rome thus gaining complete control of the land and enslavement of the people. There is only 1 goal that the Jesuits have been working for and that is world control for the ROMAN CATHOLIC CULT and they won't stop until they obtain it.
Read more about the Jesuit infiltration of the nations at:
http://www.darknessisfalling.com/darknessisfallingblogblog/jesuit-infiltration-and-subversion-of-all-the-nations
The arts are powerful and are manipulated by the Jesuit controlled Masonic arts business system to suit the times and perpetuate the ongoing Luciferian immersion of societies. Visual art, music, theatre, dance and film are all moulded to the satanic agenda spewing out concepts and ideals that corrupt the hearts and minds of viewers and participants. The Jesuits were quick to capitalise in the early 1600's on the Baroque aesthetic in theatre, music, art and fashion to seduce Europe with the pursuits of pleasure and hedonistic lifestyles. Jesuit theatre productions were renowned for their extravagance and drew social elites which the Jesuits then endeared themselves to with flattery in order to gain adulation with the aim of infiltrating wealthy, influential families. They still control the theatre productions today whether it's in London's West End or Broadway in New York.
The Jesuits realised very early that education and culture were the best modes for seducing society with the temptations of worldly pleasures and ideological programming. The Jesuits set up a centre (College Louis Le Grand) for the ballet in Paris by 1650 and in 1722 promoted a production of Vivaldi's oratorio," Adoration of the Magi" in the Cathedral in Milan. The Jesuits are masters at adopting "New Cultural Modes" in order to move with the times seducing society with "Entertainment" and so took control of education and culture everywhere they went, blending the 2 together. Thomas Lucas SJ states, "This tradition – 150,000 plays performed across the world over the first two centuries of Jesuit education, and countless more since the nineteenth-century restoration of the order after its suppression – was about more than entertainment, fun, and games. Theater, dance, and visual spectacle were not considered as ends in themselves but were seen as useful educational tools that formed morally astute citizens and socially competent persons who could comport themselves in public in a convincing way."(The Spiritual Exercises and Art, 2015)
Contrary to the Jesuits claim, they in fact have been and are directly responsible for using "PERFORMANCE" and "ENTERTAINMENT" to "MOULD" the public mind for 5 centuries. There is little doubt in my mind the Jesuits were also behind the "Shakespeare" phenomenon, which has had an enormous impact on social thinking although there are conflicting opinions about it!
Today, we are watching the end result of 500 years of ever increasing levels of exposure by people to Luciferian Jesuit art productions on TV, in theatres, cinemas, art galleries and on the Internet. The last 50 years has seen an avalanche of pop music, films, TV programmes, blockbuster art festivals and exhibitions and staged musical productions. People are being SATURATED by the Masonic popular entertainment machine. Access to these productions is EASY and often on a 24/7 basis. Totally unaware that they are being conditioned by Luciferian concepts and morality, endless hours are wasted by people watching and absorbing these production line fictions.
The Jesuit culture machine has done such an extraordinary job of addicting the masses and killing human thinking that people no longer recognise "right" from "wrong." It's all relative to them and how they "feel," in the moment! TV in particular has been a powerful weapon to brain wash and bend the public mind to the Jesuit controlled political and media apparatus in all advanced countries and now most underdeveloped countries as well.
Richard Nixon stated and very presciently so in the 70's that, "The American people don't believe anything until they see it on TV."
This statement now applies everywhere, not just the USA, as TV culture has saturated most social groups worldwide with Luciferian concepts and morals. We can see the end result in the rebellious behaviour, violence and sexual immorality people everywhere are advocating and practicing at ever alarming levels.
Masonic "Social Realism" To Agitate The Masses To Violent Revolution - Eugene Delacroix Was a Luciferian
Jesuitical Sophistry - Making Claims That Won't Be Kept The ART SYSTEM: The Selection Of Artists And Art
Do not be fooled dear reader! Modern art begins under the influence and patronage of the Roman Catholic Church during the "Quattrocento" and that has never ceased. Now it is MANAGED by Roman Catholics or Papal Masonic Jews who oversee the art museum and gallery system worldwide on behalf of the Jesuits. Art movements are INVENTED and or Co-opted to accomplish the aims of the Jesuit Cultural Propaganda Program against humanity. Centuries ago art and art history were set on a "slippery slope" and have been on a downhill trajectory under the Jesuits watchful guidance. They want Maximum Impact value on society for the billions of dollars they invest.
When the Roman Catholic Church realised it couldn't maintain "DIRECT" control of the production of art due to the FREEDOMS birthed by the Protestant Reformation, they developed other plans to maintain control of art production. The development of art from the Renaissance up to 1814 is a MIRROR to the secret control exerted by the Roman Church on cultural production in Europe. In 1814 the Jesuits were RE-INSTATED by Pope Pius VII and from this time art under their direct control takes a significant turn towards the distortion of the surface plane and the abstraction/fragmentation of the figure. Art is being MADE to reflect Jesuit sponsored ideology and philosophy in order to DIVIDE social opinion and ALTER mass perception.
Art movements such as Impressionism, Post-Impressionism, Cubism, Expressionism, Dada, Surrealism and eventually, Pop, are co-opted by the Jesuit management system because the art produced is constructed as a MIRROR reflecting and projecting the Luciferian REALITY into the minds of millions of viewers and thus SHAPING/TRANSFORMING public perception of reality. This was also done through the media and education thus TOTALLY brainwashing at least 8 generations of people. This is why we are where we are today - living in an increasingly godless and immoral social environment where everyone DOES what they want. This is the fulfilment of Alistair Crowley's "Do what thou wilt, shall be the whole of the law" the central axiom for his satanic religion THELEMA! In other words social ANARCHY with complete disregard for law and order!
The modern art market really begins in mid 19th century Paris, France. Paul Durand-Ruel (1831-1922) is a key French Catholic art dealer who took over the family business in 1865 and began his long association with the Impressionists eventually establishing offices in London and New York. Without him, we may not have the art history we have. He is a key figure! Essentially he collected the artists who began to DISSOLVE the APPEARANCE of the world and reality we see and know. Also very important are Paul Rosenberg (1881-1959) and Daniel-Henry Kahnweiler (1884-1979,) key Jews who collected and promoted Picasso, Matisse and Braque in the 1st decade of the 20th century thus enabling the social acceptance and adulation of the full fragmentation/distortion of the figure in Cubism. Ambroise Vollard (1866-1939) is another very important Catholic dealer who championed Cezanne as well as Picasso and Matisse. By 1910, Kandinsky, Mondriaan and Malevich are abstracting the picture surface and the "real" disappears, eventually pared down by Malevich to a black square. The black cube is symbolic of the pagan worship of Saturn. This is where art truly gets endowed with metaphysical properties. Both Kandinsky and Mondriaan were Theosophists and Malevich was into some form of "mysticism" involving Eastern practices like yoga. The period 1890 - 1920 sees an explosion of occult art directly birthed out of Luciferian Theosophical teaching.
Marta Gnyp states, "If you thought that the Internet and new media had completely revolutionised our lives, you would be surprised about how stable, or perhaps even old-fashioned, the structure of the art market is. The current system originated more or less in 19th-century France when the new capitalistic economic model allowed artists to experiment freely with artistic issues and subjects that were no longer dictated by the kings, the church or aristocrats. As a result, the artists got their long-desired, unlimited freedom to create whatever they pleased. But at the same time, they also had the heavy burden of searching for a public and buyers themselves. In this dramatic struggle for survival, they got support from the actors who had never left them: art critics and art dealers."
and
"The Frenchmen Paul Durand-Ruel (1831-1922), Ambroise Vollard (1866-1939) and Paris-based Daniel-Henry Kahnweiler (1884-1979) are considered to be the founding fathers of the professional dealer. Their practice helped to formulate the unwritten rules of the profession, although its structure did take over some elements of the old system of patronage. By neglecting the dominant academic taste they managed to spot new key artists, acknowledge their importance and convince collectors of their outstanding quality. Interestingly, it was the dealers who recognised the relevance of artists, such as Claude Monet, Paul Cezanne and Vincent van Gogh in the first place, before the academic world or museums did."
Pierre Matisse, Henri Matisse's son, a Catholic, is also very important in taking progressive French art to New York early in 1924. Independently and corporately these 5 men through aggressive evangelisation, created the modern art market model determining the secretive artist-dealer-museum relationship, which is still adhered to today. With or without knowledge of Jesuit control, these men were directed in their decisions by the Masonic system and cooperated with it for personal enrichment and helped establish the current pyramid-like art world hierarchy.
Once the production of art had transitioned from dependancy on wealthy private patronage to the public commercial market-place, comprising gallery, museum and collector, then the mechanism for CONTROL of that market and art as a commodity was gradually put in place and transferred to New York, the centre of the Jesuits' American kingdom. During the 20th century collectors from Russia, France, Britain and the USA jostled for ownership of the art touted as VALUABLE by the gallery system.
In addition to the 5 seminal Parisian collectors, other powerfully influential figures such as Paul Guillaume of France, Sergei Shchukin, Pavel Tretyakov and Ivan Morozov of Russia, Samuel Courtald and Charles Saatchi of the UK, Albert Barnes, Isabella Stewart Gardner, Duncan Phillips, Gertrude Vanderbilt Whitney, Solomon R and Peggy Guggenheim, Clement Greenberg and Leo Castelli of the USA formed what is recognised as the "world art market" system today. Seemingly self regulated and intensely, privately autonomous, it is strictly off limits to outside scrutiny.
Why?
It's simply because art and culture is a propaganda tool and that system is controlled by the Jesuit Masonic hierarchy which works undercover and is MEDIAEVAL in attitude. They HATE PROGRESS and FREEDOM, being totally FASCISTIC in their approach to how they control systems whether it be political, religious, banking, business, education or culture. They use Jews and liberal Catholics as a front to their control system and i can vouch that art IS controlled by the Vatican. Always WAS and still IS today! Culture is their "baby" for brainwashing people en masse. It is SO effective! In particular TV, movies and music!
Artists are VETTED and selected through a growing system of prizes, competitions and exhibitions. Banal, vacuous, transgressive, profane, blasphemous or Cultural Marxist ideology driven art is usually chosen over beautiful, harmonious, transformative, life affirming or Biblical art for cutting edge international exhibitions. If the artist is a Mason or occultist, working with Luciferian concepts like sustainability, gender fluidity, immorality, magic, witchcraft, paganism, primitivism or anti authority they will definitely get preference over an artist that is attempting to express beauty, order and godliness.
Art built on a Grunge or Factory aesthetic, death imagery, darkness, foreboding, banality or projecting existential angst will inevitably be chosen over art that expresses purity, harmony, profundity, order and a positive outlook on life and the future.
Do not be fooled dear reader! Modern art begins under the influence and patronage of the Roman Catholic Church during the "Quattrocento" and that has never ceased. Now it is MANAGED by Roman Catholics or Papal Masonic Jews who oversee the art museum and gallery system worldwide on behalf of the Jesuits. Art movements are INVENTED and or Co-opted to accomplish the aims of the Jesuit Cultural Propaganda Program against humanity. Centuries ago art and art history were set on a "slippery slope" and have been on a downhill trajectory under the Jesuits watchful guidance. They want Maximum Impact value on society for the billions of dollars they invest.
When the Roman Catholic Church realised it couldn't maintain "DIRECT" control of the production of art due to the FREEDOMS birthed by the Protestant Reformation, they developed other plans to maintain control of art production. The development of art from the Renaissance up to 1814 is a MIRROR to the secret control exerted by the Roman Church on cultural production in Europe. In 1814 the Jesuits were RE-INSTATED by Pope Pius VII and from this time art under their direct control takes a significant turn towards the distortion of the surface plane and the abstraction/fragmentation of the figure. Art is being MADE to reflect Jesuit sponsored ideology and philosophy in order to DIVIDE social opinion and ALTER mass perception.
Art movements such as Impressionism, Post-Impressionism, Cubism, Expressionism, Dada, Surrealism and eventually, Pop, are co-opted by the Jesuit management system because the art produced is constructed as a MIRROR reflecting and projecting the Luciferian REALITY into the minds of millions of viewers and thus SHAPING/TRANSFORMING public perception of reality. This was also done through the media and education thus TOTALLY brainwashing at least 8 generations of people. This is why we are where we are today - living in an increasingly godless and immoral social environment where everyone DOES what they want. This is the fulfilment of Alistair Crowley's "Do what thou wilt, shall be the whole of the law" the central axiom for his satanic religion THELEMA! In other words social ANARCHY with complete disregard for law and order!
The modern art market really begins in mid 19th century Paris, France. Paul Durand-Ruel (1831-1922) is a key French Catholic art dealer who took over the family business in 1865 and began his long association with the Impressionists eventually establishing offices in London and New York. Without him, we may not have the art history we have. He is a key figure! Essentially he collected the artists who began to DISSOLVE the APPEARANCE of the world and reality we see and know. Also very important are Paul Rosenberg (1881-1959) and Daniel-Henry Kahnweiler (1884-1979,) key Jews who collected and promoted Picasso, Matisse and Braque in the 1st decade of the 20th century thus enabling the social acceptance and adulation of the full fragmentation/distortion of the figure in Cubism. Ambroise Vollard (1866-1939) is another very important Catholic dealer who championed Cezanne as well as Picasso and Matisse. By 1910, Kandinsky, Mondriaan and Malevich are abstracting the picture surface and the "real" disappears, eventually pared down by Malevich to a black square. The black cube is symbolic of the pagan worship of Saturn. This is where art truly gets endowed with metaphysical properties. Both Kandinsky and Mondriaan were Theosophists and Malevich was into some form of "mysticism" involving Eastern practices like yoga. The period 1890 - 1920 sees an explosion of occult art directly birthed out of Luciferian Theosophical teaching.
Marta Gnyp states, "If you thought that the Internet and new media had completely revolutionised our lives, you would be surprised about how stable, or perhaps even old-fashioned, the structure of the art market is. The current system originated more or less in 19th-century France when the new capitalistic economic model allowed artists to experiment freely with artistic issues and subjects that were no longer dictated by the kings, the church or aristocrats. As a result, the artists got their long-desired, unlimited freedom to create whatever they pleased. But at the same time, they also had the heavy burden of searching for a public and buyers themselves. In this dramatic struggle for survival, they got support from the actors who had never left them: art critics and art dealers."
and
"The Frenchmen Paul Durand-Ruel (1831-1922), Ambroise Vollard (1866-1939) and Paris-based Daniel-Henry Kahnweiler (1884-1979) are considered to be the founding fathers of the professional dealer. Their practice helped to formulate the unwritten rules of the profession, although its structure did take over some elements of the old system of patronage. By neglecting the dominant academic taste they managed to spot new key artists, acknowledge their importance and convince collectors of their outstanding quality. Interestingly, it was the dealers who recognised the relevance of artists, such as Claude Monet, Paul Cezanne and Vincent van Gogh in the first place, before the academic world or museums did."
Pierre Matisse, Henri Matisse's son, a Catholic, is also very important in taking progressive French art to New York early in 1924. Independently and corporately these 5 men through aggressive evangelisation, created the modern art market model determining the secretive artist-dealer-museum relationship, which is still adhered to today. With or without knowledge of Jesuit control, these men were directed in their decisions by the Masonic system and cooperated with it for personal enrichment and helped establish the current pyramid-like art world hierarchy.
Once the production of art had transitioned from dependancy on wealthy private patronage to the public commercial market-place, comprising gallery, museum and collector, then the mechanism for CONTROL of that market and art as a commodity was gradually put in place and transferred to New York, the centre of the Jesuits' American kingdom. During the 20th century collectors from Russia, France, Britain and the USA jostled for ownership of the art touted as VALUABLE by the gallery system.
In addition to the 5 seminal Parisian collectors, other powerfully influential figures such as Paul Guillaume of France, Sergei Shchukin, Pavel Tretyakov and Ivan Morozov of Russia, Samuel Courtald and Charles Saatchi of the UK, Albert Barnes, Isabella Stewart Gardner, Duncan Phillips, Gertrude Vanderbilt Whitney, Solomon R and Peggy Guggenheim, Clement Greenberg and Leo Castelli of the USA formed what is recognised as the "world art market" system today. Seemingly self regulated and intensely, privately autonomous, it is strictly off limits to outside scrutiny.
Why?
It's simply because art and culture is a propaganda tool and that system is controlled by the Jesuit Masonic hierarchy which works undercover and is MEDIAEVAL in attitude. They HATE PROGRESS and FREEDOM, being totally FASCISTIC in their approach to how they control systems whether it be political, religious, banking, business, education or culture. They use Jews and liberal Catholics as a front to their control system and i can vouch that art IS controlled by the Vatican. Always WAS and still IS today! Culture is their "baby" for brainwashing people en masse. It is SO effective! In particular TV, movies and music!
Artists are VETTED and selected through a growing system of prizes, competitions and exhibitions. Banal, vacuous, transgressive, profane, blasphemous or Cultural Marxist ideology driven art is usually chosen over beautiful, harmonious, transformative, life affirming or Biblical art for cutting edge international exhibitions. If the artist is a Mason or occultist, working with Luciferian concepts like sustainability, gender fluidity, immorality, magic, witchcraft, paganism, primitivism or anti authority they will definitely get preference over an artist that is attempting to express beauty, order and godliness.
Art built on a Grunge or Factory aesthetic, death imagery, darkness, foreboding, banality or projecting existential angst will inevitably be chosen over art that expresses purity, harmony, profundity, order and a positive outlook on life and the future.
Satanic Pentagram Hidden "In Plain Sight" In Guernica Picasso & Metzger
"I intend to destroy, destroy everything that exists in painting."
Joan Miro - 1931
Pablo Picasso: A one man subversive, Luciferian, "Tour de Force."
"Every act of creation is first an act of destruction," said Picasso and everyone thought he was so clever, so avant guard, not realising, he actually meant it. He had already become wholly indoctrinated into godless, Nietzschean "existentialism." He purposefully set about destroying everything beautiful in art leaving a trail of human betrayal, suicide and suffering in the wake of his relationships. What a miserable excuse for humanity he was yet the art world has worked tirelessly to turn him into a hero! The 20th century was indoctrinated into the "aura" of Picasso the master, not realising his thinking and methodology was occultic, Jesuitical and aimed at the destruction of beauty in art and culture. Diabolical!
Of course, the godless Masonic art system promoted him as the "cultural wunderkind" of the century, extolling his philosophy and practice as "genius" and rewarding him handsomely with wealth and status unheard of for an artist and never seen before in history. He was gifted but it was his "OBEDIENCE" to the system that made him famous and also explains why the Nazis left him alone while he was in Paris during WWII! He should, in reality, have been rounded up and incarcerated as the communist he was, or SHOT as a DEGENERATE artist but no he was protected by the Jesuits who put Hitler into power!
As if to mirror the advent of Picasso's destruction of culture around 1910, the Jesuit/Masonic planned WWI was foisted onto humanity in 1914, permanently distorting the social order worldwide by destroying the flower of male youth from so many countries. The 20th century became the century of destruction and human carnage never before seen in history. Picasso was the satanic herald of what was to follow Cubism and the destruction of the image surface!
Arianna Stassinopoulos states in her book, "Picasso: Creator and Destroyer," "From the time that he shook the art world with Les Demoiselles d' Avignon, [in 1905) Picasso was out of love with the world. He saw his role as a painter as fashioning weapons of combat against every emotion of belonging in creation and celebrating life, against nature, human nature and the God who created it all, "
Read the full book review by Norma Hamerman at:
https://larouchepub.com/eiw/public/1989/eirv16n3719890915/eirv16n37-19890915_053-the_great_picasso_plain_old_sata.pdf
Many artists were encouraged by the artistic "liberty" Picasso opened up, to descend to even greater depths of cultural chaos and depravity. Dada and Surrealism emerged from the destruction of the first world war advocating "anarchy," a New Order and the destruction of reason itself! That's right a New World Order. Sound familiar? Powerfully connected advocates such as Marcel Duchamp, Tristan Tzara, Andre Breton, Francis Picabia, Man Ray, Hannah Hoch, Jean Arp among others had a powerful ripple effect on art culture worldwide becoming the progenitors of the next generation of artistic "transgressors." Most of these figures are documented occultists and Freemasons. Out of this dark cesspool of artistic destruction comes the generations of Luciferian art and AGITATION we are viewing and feeling in museums today.
"I intend to destroy, destroy everything that exists in painting."
Joan Miro - 1931
Pablo Picasso: A one man subversive, Luciferian, "Tour de Force."
"Every act of creation is first an act of destruction," said Picasso and everyone thought he was so clever, so avant guard, not realising, he actually meant it. He had already become wholly indoctrinated into godless, Nietzschean "existentialism." He purposefully set about destroying everything beautiful in art leaving a trail of human betrayal, suicide and suffering in the wake of his relationships. What a miserable excuse for humanity he was yet the art world has worked tirelessly to turn him into a hero! The 20th century was indoctrinated into the "aura" of Picasso the master, not realising his thinking and methodology was occultic, Jesuitical and aimed at the destruction of beauty in art and culture. Diabolical!
Of course, the godless Masonic art system promoted him as the "cultural wunderkind" of the century, extolling his philosophy and practice as "genius" and rewarding him handsomely with wealth and status unheard of for an artist and never seen before in history. He was gifted but it was his "OBEDIENCE" to the system that made him famous and also explains why the Nazis left him alone while he was in Paris during WWII! He should, in reality, have been rounded up and incarcerated as the communist he was, or SHOT as a DEGENERATE artist but no he was protected by the Jesuits who put Hitler into power!
As if to mirror the advent of Picasso's destruction of culture around 1910, the Jesuit/Masonic planned WWI was foisted onto humanity in 1914, permanently distorting the social order worldwide by destroying the flower of male youth from so many countries. The 20th century became the century of destruction and human carnage never before seen in history. Picasso was the satanic herald of what was to follow Cubism and the destruction of the image surface!
Arianna Stassinopoulos states in her book, "Picasso: Creator and Destroyer," "From the time that he shook the art world with Les Demoiselles d' Avignon, [in 1905) Picasso was out of love with the world. He saw his role as a painter as fashioning weapons of combat against every emotion of belonging in creation and celebrating life, against nature, human nature and the God who created it all, "
Read the full book review by Norma Hamerman at:
https://larouchepub.com/eiw/public/1989/eirv16n3719890915/eirv16n37-19890915_053-the_great_picasso_plain_old_sata.pdf
Many artists were encouraged by the artistic "liberty" Picasso opened up, to descend to even greater depths of cultural chaos and depravity. Dada and Surrealism emerged from the destruction of the first world war advocating "anarchy," a New Order and the destruction of reason itself! That's right a New World Order. Sound familiar? Powerfully connected advocates such as Marcel Duchamp, Tristan Tzara, Andre Breton, Francis Picabia, Man Ray, Hannah Hoch, Jean Arp among others had a powerful ripple effect on art culture worldwide becoming the progenitors of the next generation of artistic "transgressors." Most of these figures are documented occultists and Freemasons. Out of this dark cesspool of artistic destruction comes the generations of Luciferian art and AGITATION we are viewing and feeling in museums today.
Gustav Metzger - One Eye Masonic Symbolism Gustav Metzger, a Polish Jewish artist obsessed with "voids" proclaimed, "Destroy and you create." Of course this is just more of the nihilistic nonsense started by Picasso so many years earlier. Metzger, who died in 2017, was proud of his 6 decades of political art and professional trouble-making and was an initiator of "The Destruction In Art Symposium" in 1966. A telltale sign of the Jesuit presence and ideology, who place their covert support behind this kind of "social agitation." Metzger is an art world "troublemaker," one of the many Masonic artist "lackeys" who give the outward appearance of being transgressive and revolutionary; "against the system," but in actual fact are SUPPORTED and REWARDED by that system. That's the Jesuit game of using ART to AGITATE, DIVIDE and CONQUER! It is powerful and has fooled many!
Metzger states, "At the beginning I was confronted with a choice: move into art or revolutionary politics," he says. "I took the path of art at the age of 18." But the choice turned out to be more apparent than real: "I could see this possibility of using the ideas of social change within art." The Jesuits are always eager to use a disaffected and angry young man for their subversive purposes and they did! What a waste of a life, lashing out at life in bitterness and creating anti-art!
Read more about Metzger at:
www.theguardian.com/artanddesign/2012/nov/26/gustav-metzger-null-object-robot
Using art to create social change is a Jesuit strategy for "social engineering" and the manipulation of societies toward "FASCISM" and AUTOCRATIC control by ROME!
Observe how many peaceful nations or tribal groups have been subverted by Jesuit "Communist" revolutions and civil wars in the 20th century! The list is extensive but they are all FOMENTED by the Jesuits in those countries. There are pictures of Jesuit priests carrying guns and assisting their murderous proteges!
Whether Picasso or Metzger, modern Art is and has been, another Jesuit "TROJAN HORSE" used for the infiltration and subversion of society with Luciferian thoughts, attitudes and profligate lifestyles!
*Takashi Murakami - 2 Demons. This artist can't be any more explicit in revealing his involvement with the occult in this painting. This is right in your face. Murakami is a Luciferian and proud of it! You'd have to be blind not to see it!
Metzger states, "At the beginning I was confronted with a choice: move into art or revolutionary politics," he says. "I took the path of art at the age of 18." But the choice turned out to be more apparent than real: "I could see this possibility of using the ideas of social change within art." The Jesuits are always eager to use a disaffected and angry young man for their subversive purposes and they did! What a waste of a life, lashing out at life in bitterness and creating anti-art!
Read more about Metzger at:
www.theguardian.com/artanddesign/2012/nov/26/gustav-metzger-null-object-robot
Using art to create social change is a Jesuit strategy for "social engineering" and the manipulation of societies toward "FASCISM" and AUTOCRATIC control by ROME!
Observe how many peaceful nations or tribal groups have been subverted by Jesuit "Communist" revolutions and civil wars in the 20th century! The list is extensive but they are all FOMENTED by the Jesuits in those countries. There are pictures of Jesuit priests carrying guns and assisting their murderous proteges!
Whether Picasso or Metzger, modern Art is and has been, another Jesuit "TROJAN HORSE" used for the infiltration and subversion of society with Luciferian thoughts, attitudes and profligate lifestyles!
*Takashi Murakami - 2 Demons. This artist can't be any more explicit in revealing his involvement with the occult in this painting. This is right in your face. Murakami is a Luciferian and proud of it! You'd have to be blind not to see it!
Marina Abramovic - Bloody Satanic Art Dear Reader
Art has been winding down and is gradually being emptied of its eloquence and power to "inspire" even as the art itself becomes more and more grandiose, obtuse, occultic, even vacuous (politically correct) with prices rocketing into the stratosphere. Art has fallen a long way since the early experimentation of the Renaissance but it is to be expected because it is "Humanism" on steroids, full blown in all it's Satanic glory for the 21st century! It is a worrying development! Luciferian artists are selfishly building inflated careers for the purpose of "Legacy" or future glory to the detriment of integrity in art itself! A small group of select "institutional" artists continually dominate the awarding of major grants and prizes. Vast sums are being invested in and spent on novelty art projects that ultimately become "eye candy," entertaining crowds and selling tickets.
Museums are popping up everywhere like mushrooms as more businesses seek to get in on the art "boom" to make a buck. Most of it is "factory" or production line art made by specialist teams following instructions issued by the artist. A random survey of current art world calendar events reveals yet more of the same. Luciferian art takes the viewer on a closed loop circuit year after year of art infused with the same highbrow appearance, FASHIONABLE yet devoid of wholesome substance or meaning. This is done deliberately because the Luciferian artist is working out an agenda geared to dumbing down the public and appealing to a base desire for "novelty" and entertainment.
Read more about Marina Abramovic at:
www.williambootartist.com/mainphp/marina-abramovic-occult-high-priestess
What can be done?
Unfortunately, the art world system will never change. Any attempt to do so will be circumvented and co-opted by those who control the market. This has occurred a few times in the last 100 years. Controlling the public perception of RARITY while maximising object price and desire for the object is a Luciferian speciality, all based on greed and deception. Art is a closed system and the Masonic gatekeepers are the arbiters of prevailing taste. It's all PROPAGANDA!
The most important thing is an awareness of what is going on! The controllers don't want anyone to know the truth, just to keep playing the game. What passes as an art education these days is deplorable. The student emerges an acolyte of Cultural Marxist ideology believing they KNOW what art is instead of having developed a critical thinking mind. Jesuit revisionist art histories delete, omit or conversely, exaggerate facts in order to paint a different picture of the past. In the end, 'we think we know but we're not sure if we know what we should really know.' This is how the Jesuits have usurped control over ART and CULTURE; by propagating ignorance in the public and in the "experts" while at the same time flattering them for how clever they are.
Learn more about the Jesuit controlled education system.
The Jesuit "Trojan Horse" Infiltration Of World Education!
http://www.darknessisfalling.com/blog/the-jesuit-trojan-horse-infiltration-of-world-education
Can this problem be overcome?
It's too late because the system is now virtually uniform everywhere. The Jesuits have achieved ideological conformity in thinking worldwide by controlling the information flow through every channel. That's why artists are totally enamoured with making blasphemous art, occult art, feminist art, green art, garbage art, body art, social commentary art and cartoon art! The system is a closed loop of Luciferian production and mainstream artists are on a treadmill making what is demanded of them! Compliance will be rewarded!
Once again, coming full circle 600 years later, the Roman Catholic Temple Cult now control art production again through their Masonic gallery and museum network!
Takashi Murakami - Red Demon & Blue Demon - 2013
What is happening in Art and Culture is symptomatic of what is happening across ALL world systems. Luciferian CONTENT is much more VISIBLE in art forms and is a WARNING that society everywhere has been subjugated and is going down the rabbit hole.
Unfortunately most are blind to see it. Soon, however, all world systems will be merged completely into ONE with a one world government and religion, which in fact is already here. If you are able to see that something is terribly wrong and are looking for the truth, then there is hope for you. Time is short!
God is commanding ALL men to repent of their sins and receive forgiveness before this world system comes to an end forever. After Jesus Christ returns it will be too late as it will be time for the judgement of all human souls.
There are no second chances!
Jesus Christ said:
“I am the WAY, the TRUTH, and the LIFE. NO ONE comes to the Father except through ME."
There is only 1 way to eternal life and that is Jesus Christ.
"Although God overlooked the ignorance of earlier times, He now commands all men everywhere to repent. For He has set a day when He will judge the world with justice by the Man He has appointed. He has given proof of this to all men by raising Him from the dead.”
Acts 17:30-31
Time is almost up and history is almost done so NOW is the time to get right with God!
If you'd like to learn more go HERE or HERE
Unfortunately most are blind to see it. Soon, however, all world systems will be merged completely into ONE with a one world government and religion, which in fact is already here. If you are able to see that something is terribly wrong and are looking for the truth, then there is hope for you. Time is short!
God is commanding ALL men to repent of their sins and receive forgiveness before this world system comes to an end forever. After Jesus Christ returns it will be too late as it will be time for the judgement of all human souls.
There are no second chances!
Jesus Christ said:
“I am the WAY, the TRUTH, and the LIFE. NO ONE comes to the Father except through ME."
There is only 1 way to eternal life and that is Jesus Christ.
"Although God overlooked the ignorance of earlier times, He now commands all men everywhere to repent. For He has set a day when He will judge the world with justice by the Man He has appointed. He has given proof of this to all men by raising Him from the dead.”
Acts 17:30-31
Time is almost up and history is almost done so NOW is the time to get right with God!
If you'd like to learn more go HERE or HERE
