williambootartist.com
  • Home
  • Welcome
    • Profile >
      • CV
      • Statement
      • Method
  • Blog
  • Store
    • Commissions
  • Geometry
    • Geometry In Art
    • Geometric Abstraction
    • Geometric Abstract Artist Index
  • Finland 2018
  • Melbourne 2017 - 18
    • Melbourne 2016
  • Finland 2015
    • USA Iowa 2014 >
      • G2A Denmark 2014 >
        • G2 Melbourne 2013
        • G3 Melbourne 2012 - 13
        • G4 Seoul/Melb 2009 - 10
        • G5 Melbourne 2007
        • G6 Melbourne 2007
        • G7 Melbourne 2007
        • G8 Korea 2006
        • G9 Korea 2005
        • G10 Korea 2005
        • G11 Korea 2004
  • G12 Korea 2003
    • G13 Korea 2003
    • G14 Melbourne 2000-2
    • G15 Melbourne 2000
    • G16 Melbourne 2000-1
    • G17 Melbourne 2000
    • G18 Melbourne 2000
    • G19 Hobart 98-99
    • G20 Lismore 96-97
    • G21 Lismore 96-97
  • Stephanie Kim
  • Design
  • Drawings
  • Words
    • Essay 1
    • Essay 2
    • Essay 3
    • Essay 4
    • Essay 5
    • Essay 6
    • Essay 7
    • Essay 8
    • Other Writers >
      • OW 2
      • OW 3
      • OW4
  • Contact
  • Buy
  • Projects
  • News

Donald Judd

3/5/2014

0 Comments

 
Donald Judd passed away in 1994 a short time before i became aware of his art and its impact on Contemporary art practice. His thinking was singular and iconoclastic about what art is, what it should do and how it should be presented. Donald gradually developed the idea that objects should be created and placed in a set context and not moved around. He wrote an essay titled "Specific Objects" which explains why artworks need to retain integrity to their materiality and context.
 
Donald grew tired of art world politics in New York and created the Chinati Foundation in order to establish his own art installations on an abandoned military base outside Marfa a small town in Texas. He also continued to maintain a building in New York filled with his art. He sought independence and autonomy to make the art and install it his way. He invited artist friends such as Dan Flavin, John Chamberlain, Roni Horn and Carl Andre among others to also make art for his new and expanding facility in the countryside. Donald's work has been exhibited around the world and its impact on this generation has been profound. 


The impeccable symmetry and presence of his installations have had an enormous impact on what i do. Although my work is flat and utilises a 2D plane and is primarily concerned with a pictorial/object dialogue nevertheless the sense of what Donald was doing with composition, colour and form addresses my paintings.


There is no doubt that now, because of Donald's thinking and practice, curators and museum staff in the years since his passing, more carefully consider how artwork is shown and how the site space occupied by the work is allowed to contextualise and reveal the work over time.


I hope you'll take the time to learn more about Donald Judd and his "specific" vision for art. Here is the link to a PDF of Donald's essay "Specific Objects".
  http://www.juddfoundation.org/_literature_108163/Specific_Objects.
0 Comments



Leave a Reply.

    View my profile on LinkedIn

    William M Boot

    An eclectic compendium of artistic and philosophical musings on ideas that have fired my imagination and inspiration over many years.

    Archives

    December 2018
    November 2016
    October 2016
    August 2016
    June 2016
    April 2016
    August 2015
    July 2015
    June 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014

    Art Blogs

    Abcrit

    Painters Table 

    Huffington Post Art

    Daily Art Fixx

    Paint Later

    Contemporary Art Daily

    Christopher Volpe's Art Blog

    Chris McAuliffe Art Writing

    Hyperallergic

    Joanne Mattera Art Blog

    Encaustic Art Blog Roll

    The Art Newspaper

    I Like This Art

    ​Contemporary Art Blogs
    ​

    Encaustic Art Blogs
    All Things Encaustic
    Joanne Mattera Art Blog
    Encaustic Links Page

    Art Articles

    Anish Kapoor Coats Cloud Gate In the "Darkest" Black Known to Humanity

    Jasper Johns:Monotypes 

    Robert Ryman: Double Positive

    ​Clifford Still's Radical Repetitions

    Giorgio Morandi: Peculiar Realist

    Giorgio Morandi - Metaphysician of Bologna

    ​Alberto Burri's Challenge

    I Will Not Be A Sunday Painter: Alberto Burri Makes a Picture in 1954

    Jackson Pollock - Tate Liverpool

    Painting and Reality: Art as Analogy

    Real painting - Exhibition Review

    Gerhard Richter Interview: Abstract Paintings

    Abstract Painting: Social Function

    Abstract Painting: Everything is Finished, Nothing is Dead

    Cy Twombly Drawings

    Realizing Clifford Still

    Cy Twombly Interview

    The Cult of Jeff Koons

    Modern Art Was a CIA Weapon

    Agnes Martin - Two Books - A Life

    Agnes Martin - An Existential Shudder From a Pure White Surface

    Agnes Martin - Tate Exhibition

    Agnes Martin - Interview

    The Abstract Sublime in Contemporary Art: Robert Rosenblum

    Nicholas De Stael - Needs To Be Seen

    Donald Judd and Frank Stella Interview - What You See Is What You See

    Imi Knoebel - Interview

    Imi Knoebel - Dia 2009

    Fantasies Artists Have About Success

    Damien Hirst - Plagiarist Extraordinaire - Learn the Truth

    Bridget Riley - Exhibition Review

    Vincent Longo: Interview 2016

    ​Philip Guston:Flesh and Bones and 'Thingness'

    ​
    Luc Tuymans: Interview with Jarrett Earnest

    ​Luc Tuymans: "On the Image" essay

    ​Luc Tuymans: "Le Meprise" Exhibition at David Zwirner Galleries, NYC, 2016

    ​Lloyd Rees: The Final Interview with Janet Hawley

    ​Richard Pousette-Dart:
    Exhibition Review- Pace NYC